Jorge Pineda and Fernando Amorsolo belonged to the first generation of Filipino cartoonists to have emerged during the early years of the American occupation. Most of their cartoons were published in popular news magazines like the Free Press, The Independent, Lipang Kalabaw, and Telembang. Amorsolo and Pineda, of course, eventually developed into great painters that somehow overshadowed their massive body of cartoon works.
When art patronage became a fashion among the elite during the 1920s, Amorsolo and Pineda eventually gave up doing caricatures and concentrated on painting portraits of rich people and commissioned landscapes, which was of course, more profitable. This shift in art, though, can hardly deny the fact that in the 1920s, the Philippines may have the two most talented batch of cartoonists ever to have graced the pages of news and comic magazines.
The cartoon strips shown below are a typical example of elegant Philippine cartoons from these two great cartoonists. The first is by Fernando Amorsolo, and the second by Jorge Pineda.
Simbang Tanan by F. Amorsolo
Balasubas sa Diario by J. Pineda
Saturday, March 15, 2008
Friday, March 14, 2008
Early Ruben Yandoc Work (1951)
Here is one of Ruben Yandoc's early works in Hiwaga Komiks dating back to 1951. I consider Yandoc to be one of the most interesting illustrators during the Golden Age of Komiks in the Philippines. His unique style was earlier influenced by Redondo, but he managed to develop the style into uniquely his own.
Yandoc was at his best when illustrating fantasy and horror stories, the kind of which I consider Philippine gothic. It was a very popular genre in the early years of komiks in the Philippines.
The story below is an example of the beautifully rendered art and storytelling abilities of Ruben Yandoc. (Please click on the images to view the larger images)
Yandoc was at his best when illustrating fantasy and horror stories, the kind of which I consider Philippine gothic. It was a very popular genre in the early years of komiks in the Philippines.
The story below is an example of the beautifully rendered art and storytelling abilities of Ruben Yandoc. (Please click on the images to view the larger images)
Sunday, March 09, 2008
Early Floro Dery Work from 1964
I recently unearthed from my old Bulaklak komiks collection this 1964 work of Filipino illustrator Floro Dery. Dery is one of my favorite komiks illustrators. I was surprised that Dery was also illustrating for Bulaklak during the time when Alex Nino was also starting his career there as apprentice to the great Jess Jodloman, who was then Bulaklak's chief artist.
Looking back to 1964, this comics illustration by Dery(see below), is done in the Redondoesque style of drawing that was popular during those times, a style created, of course, by Nestor Redondo.
By the way, Dr. Dery has a wonderful website in which he showcases his recent drawings and illustrations. These beautiful illustrations manifest Mr. Dery's passion for exaggeration and depth in his drawings, a point he repeatedly expounds as the basis for his unique style. You can visit his website here.
(Click images below to enlarge)
Looking back to 1964, this comics illustration by Dery(see below), is done in the Redondoesque style of drawing that was popular during those times, a style created, of course, by Nestor Redondo.
By the way, Dr. Dery has a wonderful website in which he showcases his recent drawings and illustrations. These beautiful illustrations manifest Mr. Dery's passion for exaggeration and depth in his drawings, a point he repeatedly expounds as the basis for his unique style. You can visit his website here.
(Click images below to enlarge)
Friday, March 07, 2008
Spot the Difference
Oh no, I've been browsing my old piles of komiks and saw these:
Pilipino Komiks #47, 1949. Cover art by Francisco V. Coching
Pilipino Komiks #195, 1954. Cover art by Alfredo Alcala
Super Action Komiks#169, 1988. Cover art by Franklin Batolinao.
My only question is: is it really possible to rescue a woman in that position while riding in a horseback? My personal opinion is that it would cause injuries to the woman.
Pilipino Komiks #47, 1949. Cover art by Francisco V. Coching
Pilipino Komiks #195, 1954. Cover art by Alfredo Alcala
Super Action Komiks#169, 1988. Cover art by Franklin Batolinao.
My only question is: is it really possible to rescue a woman in that position while riding in a horseback? My personal opinion is that it would cause injuries to the woman.